War Bonds: Town of Cary


CARY PARKS, RECREATION AND CULTURAL RESOURCES
Dear Serena, David, Julie & Band,
Thank you for the wonderful entertainment you provided the community of Cary on Friday, February 13! We have received nothing but positive feedback from those who attended. One audience member put it best when she said, “What a mass of humanity that filled our beloved cafegymatorium last night. This was a most unusual, poignant, and entertaining look back in time. There were lots of memories being shared in the VIP lounge as well as in the lobby at intermission and after the show.” What a gift you brought our community that night! Thank you!
You and your crew are special folks, and I feel fortunate to have been given the chance to present you and your work in Cary. I wish you nothing but the best as you continue to live out your passion to perform. I hope that we will get to work with you in the future, perhaps when we move from our “beloved cafegymatorium” to an actual theatre in 2011.
Sincerely,
Sarah Bunch
TOWN Of CARY
316 North Academy Street -Cary, NC 27513-PO Box 8005-Cary, NC 27512-8005 te1919-469-4061 - fax 919-469-4344- www.townofcary.org

Life Is So Good: Sampson Stage, NC


The Sampson Independent
Actor returns to CenterStage for ‘Life is so Good‘ by Doug Clark
Bringing a show like “Life Is So Good” to Clinton is important to actor Mike Wiley.
Wiley has been through Clinton many times before — just last year the actor performed “Brown vs. Board of Education: Fifty Years Later” for eighth-graders in the area, and “Jackie Robinson— A Game Apart” for seventh-graders as part of the Sampson County Agri-Exposition Center’s Class Acts program — and says he enjoys the area.
Because the Class Acts program allows children to experience these types of shows free, Wiley lowered his standard fee to perform both shows for the students.
“I have been in North Carolina for a long time,” he said just after a show in Goldsboro. “And I really enjoy Clinton, and performing all over the eastern part of the state. But the thing I see the most in eastern North Carolina and in the mountains, is that the students are left out in the cold as far as the performing arts. In fact, it was one of the reasons why I got involved with the performing arts. I was always interested in education and entertaining people; I just had trouble sitting in a classroom … I thought it would a great idea to combine education and entertaining, and that is what I have tried to do (with my performances).”
Wiley will be back in town this Saturday, Jan. 24, at 8 p.m. performing “Life Is So Good” as part of the Exposition Center’s CenterStage series.
The story is about 103-year-old George Dawson, a slave’s grandson who learned to read at age 98. It reflects on his life and offers valuable lessons in living as well as a fresh, firsthand view of America during the 20th century. His unlikely friend, Richard Glaubman, an elementary school teacher, captures Dawson’s irresistible voice and view of the world, offering insights into humanity, history, hardships, and happiness.
From segregation and civil rights, to the wars, presidents, and defining moments in history, George Dawson’s description and assessment of the last century inspires readers with the message that, through it all, has sustained him: “Life is so good. I do believe it’s getting better.”
“I read the book about 10 years ago,” said Wiley, “and I just loved it. I loved the fact that in his entire life, he never learned to read and then in his final stages of life, although he had accomplished a great many things, he felt like it was important enough that he did learn how to read, not because he had to, because he wanted to for him.
“I also found it interesting that he was taught by someone who he had absolutely nothing in common with — a white man who was going out of his comfort zone as well to teach him … it is just a beautiful story of a relationship that develops over time between two men who have absolutely nothing in common except the hunger to learn and to teach. It crosses that divide of race and culture and brings two people together. It was very inspirational to me.”
Wiley said the show is something that is good for all ages.
“It gives you insight on what this man has been through in his lifetime,” he said. “From slavery into an era of seeing people of color being elected into office. It is a very inspiring piece and a great tale of history … It is a show for everyone because of its message.”
Saturday’s performance will bring together Wiley and longtime collaborator David zum Brunnen, who portrays Dawson’s friend Richard Glaubman. “David’s wife directs all of my work,” said Wiley, “this has given David and I an opportunity to work on stage together and it has been very exciting and to be honest, it’s been a really cool experience.”
For more information and clips of the show, click on to www.ebzb.org/life.shtml. For ticket information click on to www.sampsoncenterstage.com.
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War Bonds: Music, Letters Tell Story of WWII


Music, letters tell story of WWII
Updated 11/17/2008 12:43:00 PM CST
Courtesy photo<br> Music and letters weave a special story of the World War II era in ?War Bonds,? a cabaret-style musical production, at 7 p.m. Thursday at the Merryman Center.
Courtesy photo
Music and letters weave a special story of the World War II era in ?War Bonds,? a cabaret-style musical production, at 7 p.m. Thursday at the Merryman Center.
EARNEY — Music and correspondence help tell a special story in “War Bonds,” a cabaret-style musical production coming to Kearney Thursday at the Robert M. Merryman Performing Arts Center. 
The show uses 22 songs from the World War II era, including “I’ll Get By,” “This Is My Country,” “White Christmas” and “Don’t Sit Under the Apple Tree.”
Written and performed by David Zum Brunnen, “War Bonds” is a musical journey though a war that defined an era.
“This is two actors on stage accompanied by live musicians,” said Elizabeth Brides, president of Alkahest Artists and Attractions. “It uses a very simple set. Certainly bells and whistles add to a production, but in ‘War Bonds’ this just isn’t necessary. This is a historical piece and quite poignant.”
Actual correspondence by veterans is used to underscore the emotions experienced by soldiers and civilians of the day.
The power of the production, Bridges said, comes from simply telling the stories in a straight-forward manner.
“David is the ‘theater’ side of the performance,” she said. “He’s dressed as a World War II soldier. Serena Ebhardt, his wife and partner, does the bulk of the singing.”
While the content of the show doesn’t change much over the course of a season, Zum Brunnen often accepts stories and letters from veterans.
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Firstier Banks
“David and Serena researched the letters and pulled from various sources,” Bridges said. “They used historical documents, family documents and archives. Over the years that they’ve been producing and writing this play, more letters have been collected from patrons and World War II vets. It creates such enthusiasm that several of the members of the World War II era will submit letters for inclusion in the play.”
e-mail to:
rick.brown@kearneyhub.com
‘War Bonds’
“War Bonds,” featuring music and correspondence from the World War II era, at 7 p.m. Thursday at the Robert M. Merryman Performing Arts Center at 225 W. 22nd St. 698-8052; www.merryman.kearneypublicschools.org. Tickets are $24 to $34.


"Native: Richard Wright & Paul Green" Play by Ian Finley Fri, Sep 18, 2026 at 7:00 PM Ocracoke Community Center, 999 Irvin Garrish Hwy, Ocracoke, NC, 27960

https://patch.com/north-carolina/beaufort-nc/calendar/event/20260918/b1624065-1215-4f00-b8f5-bb29ebad79b1/native-richard-wright-paul-green-p...