Thursday, September 8, 2016

EbzB Leads Corporate Workshop for United Arts Council Board Members

On Wednesday, September 14, 2016, EbzB Productions leads a sample of their corporate workshop for the United Arts Council Board of Directors in Raleigh, NC. The workshop, entitled United Arts Superheroes, will empower board members to advocate for truth, justice and the United Arts Council!

Using the tools of dramatic art in the corporate world stimulates engagement and creativity for employees.  Problem solving and communication skills are enhanced by the art form. Comfort with public speaking, articulating ideas, and collaboration all benefit from an awareness of the tools used by an actor. Using dramatic art in the business setting is yet another way the arts are proving vital to our daily lives and bottom lines.

EbzB Productions has been asked to develop their popular Arts-In-Education workshops for use in the corporate sector by the United Arts Council of Raleigh. Human resource directors will be able to choose programs to enhance the lives of their employees and benefit the morale and productivity of their workers.  Topics addressed by the workshop may include: diversity training, family programming, public speaking, sales skills, sensitivity training, and workplace cultural history.  EbzB Productions is well-known for tailoring their workshops to the needs of the organization.  For more information, visit http://www.unitedarts.org/


Tuesday, August 16, 2016

Arts Midwest ~ Booth #334-B, September 13, 2016, Milwaukee, WI


Join EbzB at Arts Midwest on September 13, 2016 for our showcase of Night Before Christmas Carol with Night Cap Theatre:  Cocktails and Characters.  Visit Alkahest Artists Booth #334-B.

Tuesday, August 9, 2016

EbzB - Welcome to the Arts in North Carolina!

Welcome to the Arts in North Carolina!



EbzB Productions
Theater Apex

Contact Information


  • Phone: 919-387-4616
  • Email: ebzb@ebzb.org
  • Web Site: www.ebzb.org
  • Activities


  • Community-Based Residencies
  • Lectures/Presentations
  • Master Classes
  • Performances
  • School-Based Residencies
  • Workshops
  • The nationally touring and award-winning company EbzB Productions celebrates the profound impact of storytelling through theater in a growing repertoire of simple and compelling productions. Millions have seen its work internationally, on broadcast television or live in theatrical venues.
    Formed in 1998 by Serena Ebhardt and David zum Brunnen, EbzB creates its work in the belief that theater influences and encourages a life to be positively transformed — immediately or over time — through discoveries unveiled.
    EbzB offers a variety of choices for presenters, schools, teachers and audiences of all ages. Among the works in its repertoire are the company’s productions of War Bonds: The Songs & Letters of World War II; The Night Before Christmas Carol; In One Era & Out the Other; and The Wrights of Passage: A Theatrical Celebration of a Century of Flight. The work is flexibly designed for easy touring to all types of performance spaces and in schools. Please contact the company for fee information on these productions.
    Workshops and residencies for students and teachers are available in tandem with performances. Fees: workshops, $300 per day for each artist, plus travel and accommodations; residencies, $2,000–$8,000, based on requested residency format.

    Wednesday, August 3, 2016

    EbzB Arts Midwest Showcase


    Don't miss David zum Brunnen's showcase at Arts MidWest!

    The Night Before Christmas Carol

    Tuesday, September 13, 2016

    10:55 to 11:10 p.m.

    Wright A Room, 4th Floor

    Hilton Milwaukee City Center

    (host hotel)



    Exclusive Representation by
    Alkahest Artists & Attractions
    Looking forward to seeing you immediately
    following the opening reception




    For more details and booking,
    stop by our Arts MidWest booth!
    → #344-B ←


    Friday, July 1, 2016

    '69 Seasons Feedback from a Veteran

    Dear Serena,

    My friend and fellow Vietnam vet Dennis Rogers shared  ’69 Seasons with me. Looking at it all brought back vivid memories of that chaotic time, both while in Vietnam and at home.  I was a college student who was trying to evade the draft and the horror of going to Vietnam, but I failed, at long last, and was drafted and sent there.  I chose to serve, in the end.  I was lucky be rearguard, not on the river boats, as I had been trained in California, but still I saw enough. 

    The images and songs, slogans and famous people from the music world, pacifists and militant groups were all over the news and marketed in stores (head shops), so all that you showed is familiar to me.  Much of it was to escape. 

    This play does illustrate well the confusion and mental strain of the war time, and of the earnest attempt by the young to question the essential truths of how we should organize to live, and to treat each other.  Nixon is well portrayed as the man upholding the prestige of the nation, mindlessly paid for by the unsung heroes who went to Nam and died or were harmed there, along with their families, who were fateful to the call, not necessarily in agreement or even understanding the reasons for our being in Vietnam.

    It was good to protest, or good to serve.  If we were drafted, serving was even more creditable.  These choices were often stoically borne by the common man or woman, not those privileged to protest or evade the draft.  The evil was from those who took advantage of the chaos, either on the streets or in the high rungs of government, to advance their own agenda, not that of society as a whole. 

    The play shows the chaos, horror and self-examination of the era, but not so much of the courage of the everyday person, who tried to serve, but serve honorably, who demonstrated, but did so peacefully, and those who governed, but who did did so to end the war by the law.  But the play does clearly show the social turmoil of those days, of the cries for justice, for love, and the contradictions between the government voice for war and the people's plea for peace.  Of course, most people over thirty years of age, Nixon's "silent majority" supported the war in full.  Plenty of "chicken hawks," even back then. 

    And, to end my long critique, the songs were great, both stimulating and soothing, powered by those most interesting times.  I listened to both rock and Motown, as did many of my black fellow soldiers. As long as we heard a voice from home, we could all go both ways as far as music went.


    Thanks, What you're doing is valuable.  Vets are all over the place in terms of how they cope, or what they think of the war.  Remembering them at all is a very good starting off point.

    -Charles Malone, Raleigh, NC

    Thursday, May 12, 2016

    Compliment: '69 Seasons

    Being in the audience of ’69 Seasons transformed me back again to being twenty years-old in turmoil times— in the Vietnam War where the senior boys in my high school class disappeared; underlying chaos on my college campus where disgruntled students wanted to take over the administration building; growing racial tensions, and Bam! Janis Joplin sounding great up on the stage.
    -Sue Colter, Patron, Turnage Theatre

    Monday, May 9, 2016

    Compliment: '69 Seasons

    '69 Seasons recreated a time in history that had grown dim for some of its audience members.  However, in just a few hours and three extremely talented cast members we were taken back in time to the events which were wrapped in ribbons of meaningful music. It is a must-see for those of us who were there and for those who need to learn more about our country’s history and never knew the season of  ’69.
    -Dorothy Herrington, Patron, Turnage Theatre

    Sunday, April 17, 2016

    Compliment: '69 Seasons

    Thank YOU for a great production of '69 SEASONS here at the Turnage Theatre this past Saturday.  I think you have a great show on your hands that will be a vital part of EbzB's roster for a long time to come.

    As the audience left the theatre, I heard lots of praise for the show.  But what I really noticed were the visceral reactions - people who felt personally invested in that turbulent time and how your production brought a lot of those emotions back to the surface.  I already told you about the one gentleman who left a few minutes early saying "That was a little too close to home. "  I didn't really take that as a criticism though.  It seemed to me that the show had struck a nerve, and depending on where you were in your life in 1969, the reactions will span accordingly.  This person may have been a Vietnam Veteran, or had a relative who was in Vietnam.

    I loved the show.  It was heavy, without being heavy-handed.  But it also had its lighter moments which were important to keep that proper balance.  The show looked wonderful on our stage - your use of projections were able to really place the actors and the various narrative threads in context to a specific place and time.  For those who were coming of age and/or lived through those times, it was a nostalgic show.  For those who didn't, it was a great history lesson. 

    Please give my regards to the entire company of '69 SEASONS.  We so enjoyed hosting you at the Turnage!

    Joey

    Joey Toler
    Executive Director
    Arts of the Pamlico/Turner Theatre
    Washington, NC

    =====================================

    “In 1969, I was 21, a student, and a white female married to a black man. The decisions I made then have affected the rest of my life. Your show brought clarity and articulation to that time of turmoil. Thank you. It was wonderful.”

    -Patron
     Warren Performing Arts Center,
    Indianapolis, IN.

    Compliment: Arts In Education at Virginia Cross Elementary

    Chatham County Arts Council:  The performance at Virginia Cross Elementary School on Friday was powerful and so well done. Good work! @ebzb

    Lesley Landis: The performance was so powerful. I'm very grateful to you all. Feeling deep gratitude for all that you all do for the arts, and the future, of Chatham County. 


    Cheryl Chamblee: About to see "Checkpoint : You and Me," original theatre piece by Virginia Cross Elem.Hooray, @ebzb + @chathamarts !






    Allison Buckner, Principal VCE: Wow!  That is all I can say.  The performance was outstanding!  I am so glad that you all made this possible for our students.  This was a rare and precious opportunity for them.  I know it will always be something that they will remember.

    Thursday, April 14, 2016

    Arts In Education: Students Explore Immigration During Show Week at Virginia Cross Elementary in Siler City, NC

    Students Explore Immigration During Show Week at Virginia Cross Elementary in Siler City, NC






    It’s Monday morning and Director Serena Ebhardt is deftly organizing her 30+ cast members for an important session—blocking the show these students will perform in four short days. But first she has to explain what blocking is—arranging the location and movement for each of the actors on stage, both on the floor and in relation to each other. During the rehearsal, students are also introduced to other theatre terms—places, stage right, stage left, projecting. Three quick run-throughs (remembering to hold that spot for the student who is absent today), working out variations on the grid concept designed to move the actors through the story, and time is up for today. 

    Checkpoint: Hope for Me and You is the original production crafted from the interviews VCE students conducted, transcribed, and edited with local community members.  Friday afternoon’s performance for the student body will be the culminating activity of the EbzB Artist-in-Schools residency, a collaboration of the Chatham Arts Council and the Chatham County Schools. Checkpoint explores immigration rights and responsibilities, the topic chosen by the VCE faculty, principal, and teaching artists during planning sessions last fall. EbzB’s Serena Ebhardt and David zum Brunnen bring a wealth of experience and expertise to this work. In addition to their extensive theatre training and experience as actors, producers, directors, and playwrights, they have received training specifically as teaching artists from the John F. Kennedy Center for the Performing Arts, the Lincoln Center Institute and the National Center for Creative Aging.

    Other rehearsals this week will concentrate on the script, delivering lines, costuming, and music. Wednesday the cast will move to the performance space. And Friday the oral histories of their Chatham County families and neighbors come to life.

    Related Articles
    Meet the Artist: Serena Ebhardt Entertains, Educates, Enlightens
    http://www.chathamartscouncil.org/meet-this-artist-native-daughter-serena-ebhardt-entertains-educates-enlightens/

    Bringing Theatre Residencies to Chatham Elementary School Students
    http://www.chathamartscouncil.org/bringing-theatre-residencies-to-chatham-elementary-school-students/

    To Learn More, visit
    Chatham Arts Council  [www.ChathamArtsCouncil.org]
    EbzB Productions [www.EbzB.org]
    Chatham County Schools [www.Chatham.k12.nc.us]